Vajrasana: Intricately Carved Sandstone and Embracing the Divine Feminine

The 10th century marked a flourishing period for art and culture in Malaysia, a time when kingdoms like Srivijaya thrived and their artisans left behind an extraordinary legacy of stone sculptures and intricate metalwork. While many names have been lost to history, one captivating work stands out: “Vajrasana”. This masterpiece, believed to be crafted by the skilled hands of an artist named Veeramanickam, is not merely a sculpture; it’s a portal into the spiritual beliefs and artistic sensibilities of its time.

“Vajrasana” depicts the Buddha seated in the vajra posture, his legs crossed and hands resting on his lap in a gesture of meditation. The figure, carved from sandstone with astonishing precision, radiates an aura of tranquility and enlightenment. Veeramanickam’s artistry shines through in the intricate details – the folds of the Buddha’s robes, the delicate lines defining his serene face, and the subtle expression that hints at a profound understanding of the world.

The choice of the vajra posture is significant, representing both strength and stability. The vajra, meaning “thunderbolt,” is a powerful weapon associated with Indra, the king of the gods in Hinduism. In Buddhism, it symbolizes the indestructible nature of truth and enlightenment.

But what truly sets “Vajrasana” apart is its emphasis on the divine feminine.

Notice the serene bodhisattva figure standing behind the Buddha. This female deity, adorned with elegant jewelry and a gentle expression, embodies compassion and wisdom. She is not merely a spectator; she actively participates in the Buddha’s enlightenment, her presence suggesting that the path to liberation is accessible to all beings, regardless of gender.

This emphasis on the feminine divine was unusual for its time, when religious iconography often focused solely on male figures. Veeramanickam’s inclusion of the bodhisattva highlights a more inclusive and compassionate understanding of Buddhism, one that recognizes the potential for enlightenment within every individual.

The serpent coiling around the base of the throne further enhances the symbolic richness of “Vajrasana.”

Serpents in Buddhist art often symbolize wisdom and overcoming obstacles. They represent the constant struggle between desire and detachment, a battle that must be won on the path to enlightenment.

“Vajrasana”: Unveiling Secrets Through Intricate Details and Ethereal Textures

Veeramanickam’s masterful use of textures adds another layer of depth to “Vajrasana.” The smooth, polished surface of the Buddha’s skin contrasts with the rough texture of his robes, creating a sense of visual contrast that draws the eye. The sculptor also incorporated subtle grooves and ridges into the throne and the base, mimicking the natural imperfections found in stone.

This attention to detail suggests that Veeramanickam aimed to create not just a realistic representation of the Buddha but an object imbued with spiritual energy.

The sculpture’s textures invite us to touch and feel, to connect physically with the embodiment of enlightenment.

While we may not know much about Veeramanickam’s life or the precise context in which “Vajrasana” was created, the work speaks volumes about the artistic skill and spiritual beliefs of 10th-century Malaysia. It is a testament to the enduring power of art to transcend time and culture, offering us a glimpse into the hearts and minds of those who came before us.

Through its intricate carvings, ethereal textures, and powerful symbolism, “Vajrasana” continues to inspire awe and wonder, reminding us of the boundless potential for beauty, compassion, and spiritual enlightenment that resides within each of us.